Features

Best in show | Oak Passage, 2025, by Andy Goldsworthy

This monumental piece, created from windfallen oak, brings a feel of the outdoors to the Royal Scottish Academy

Save our buildings

John Holt talks to campaigners who are working towards the rescue of four very different at-risk buildings that have a special place in the hearts of their communities

Making an entrance | How museums are reimagining the visitor welcome

Creating an impressive entrance and lobby for visitors is increasingly critical to a museum's success – and it's not just about the architecture

Museum of… The Lloyd George Museum, Llanystumdwy, Gwynedd

A recent revamp of the museum allows for a greater understanding of the life and times of the former prime minister, says Eleanor Mills

Spirit of exchange | How the Artes Mundi is connecting global artistic communities

The 2025-26 Artes Mundi contemporary art exhibition and prize explores themes such as belonging and home

Going solo | The museum workers singlehandedly holding the fort

Curators and managers who are the sole museum professionals in their institution tell John Holt about the pros and cons of going it alone

A fine balance | Caring for vulnerable heritage sites

Simon Stephens explores how organisations manage public access to some of the UK's most fragile historic properties

Czech Republic | Mucha Museum, Prague

This art nouveau juggernaut has found a sympathetic home in a lavish 18th-century baroque palace, says Eleanor Mills

Museum of… Sir Henry Jones Museum, Llangernyw, Wales

Lynsey Ford visits the humble childhood home of a brilliant philosopher

Digging deep | The museums hoping to transform north Wales

Simon Stephens hears about the development of two national museums devoted to very different subjects – slate and football

Best in show | Coat, 1937, by Cecil Beaton

This whimsical garment epitomises the legendary fashion designer's obsession with gardening, now explored in a new exhibition at the Garden Museum

Museum of… Leach Pottery, St Ives, Cornwall

Eleanor Mills delights in a collaboration of British and Japanese potters