Opinion

Profile image for Guy Turton

‘Just don’t let it turn into Disney’: Why brand partnerships need a better test

Commercial associations are becoming more accepted in the culture sector – but authenticity is vital, says Guy Turton

Profile image for Kirsty Warner

Ten years after the Brexit vote, museums still need space to talk about its impacts

The legacy of leaving the EU is more complex than either critics or supporters of Brexit assume, says Kirsty Warner

Profile image for Sharon Heal

Policy | Human remains

The issue deserves our respect, says Sharon Heal

Profile image for Ujammiugaq Engell

A glass display case isn’t always enough

Greenland’s situation demands a new response, says Ujammiugaq Engell

Profile image for Niamh Baker and Hannah Crowdy

Our ethical code makes us responsible to our visitors

Debate about treatment of human remains is important, say Niamh Baker and Hannah Crowdy

Profile image for Alex Longrigg and Fran Stovold

Specialisms | Remembering the 1926 General Strike

Alex Longrigg and Fran Stovold on the theme of this year's Social History Curators' Group conference

Profile image for Yasmin Kumari Gledhill

Why the UK needs a British Asian museum

Community’s history is under-represented, says Yasmin Kumari Gledhill

Profile image for Simon Stephens

Editorial | The value of free entry

Debate should be seen as part of wider issue of how museums are funded, writes Simon Stephens

Profile image for Mariza Dima

Bridging realities: a new toolkit for museums entering the world of mixed reality

Mariza Dima introduces a practical framework designed to help museums lead immersive projects

Profile image for Katayoun Shahandeh

Iran’s cultural heritage in the crossfire

Katayoun Shahandeh on protecting culture in times of conflict

Profile image for Ty Abiodun

Representation must run all the way through the museum

Temporary projects can lose momentum – instead, put diverse perspectives at the core of your mission, says Ty Abiodun

Profile image for Hannah Hooks

A portrait changed our perspective

Hannah Hooks on how Portrait of Mai by Joshua Reynolds speaks to multiple stories of colonial expansion