People
Working life | ‘I was ill-prepared for the interview but I convinced them to admit me’
Aviva Burnstock, winner of the 2025 Plowden Medal for Conservation, tells us about finding a career path that combined art and science – and how a garden snail played a key role in her future
Q&A | ‘Interest in the climate crisis is slackening because our attention is pulled in so many directions’
As COP30 gets underway, Lula Rappoport tells us how London Art+Climate Week hopes to inspire climate action
Q&A | ‘Appealing to the love of future generations is the most powerful incentive for action’
Kirsten Walker talks to us about the Nature + Love project, which will be unveiled next year at the Horniman Museum & Gardens
Q&A | ‘It’s the biggest show that’s ever been done on Miller but we could have filled it eight times over’
Curator Hilary Floe discusses Tate Britain's exhibition about photographer Lee Miller
Profile | ‘Theme parks are fantastic ways of telling stories – so are museums’
The chief executive of Portsmouth’s Mary Rose Trust, Dominic Jones, entered the museum sector seven years ago, but now finally feels as though he belongs in it
Q&A | ‘Railways are a global story but we wanted to take it back to where it started’
Sarah Price, head of the Locomotion Museum in Shildon, tells us why the town is looking to the future as it celebrates its past
Q&A | ‘It felt like the right time to bring fashion back into the conversation’
Jon Astbury on why Barbican has put on its first fashion exhibition in eight years
Working life | ‘We’re preparing for the world’s largest-ever natural history collection migration’
Jessica Bradford, who recently became director of collections at the Natural History Museum, talks us through her role
Q&A | ‘If we are a publicly funded gallery, we need to be an inclusive space’
Elizabeth Wewiora on Open Eye Gallery's new Firehawks exhibition and the importance of collaborative social practice within the arts
Q&A | ‘We wanted to move beyond the narrative that Moody is forgotten, invisible and marginalised’
Farah Dailami tells us how Hepworth Wakefield curated its award-winning show on the Jamaican-born sculptor Ronald Moody
