People
Q&A | ‘Having the opportunity to protect your voice and save your story is precious’
E-J Scott, founder of the Museum of Transology, on community, culture and collecting cardboard signs
Profile | ‘This story gives people a reason to come to the region and see its beauty’
As a festival launches in Tees Valley to celebrate the bicentenary of the first public rail journey, the event's director Niccy Hallifax tells us about the railway's role in regeneration, revolution – and even the advent of universal time
Obituary | Kirsty Archer-Thompson, 1987-2024
As curator at Abbotsford, home of Sir Walter Scott, Kirsty's creative approach transformed how visitors experience the site
Q&A | ‘It’s important that museums get to learn about young people’
The BM is currently seeking partners for the final year of its Where We Are... scheme. Hanouf Al-Alawi tells us about the impact of the youth-led initiative
Q&A | ‘Glasgow has always been at the forefront of contemporary innovation’
Susan Deighan reflects on her time at Glasgow Life as she prepares to retire from the charity she helped to create
Profile | ‘I had to watch that I didn’t get seduced by the British Museum’s charms’
Hew Locke’s exhibition, What Have We Here?, reflects the artist’s constant questioning of history, nationhood and the legacy of empire
Q&A | ‘Healing our soil is the most effective weapon we have against climate catastrophe’
As it prepares to celebrate its 25th anniversary, Somerset House is digging deep with a landmark new art exhibition
Q&A | ‘Public engagement with the idea of buying original art has definitely changed’
As the Own Art loan scheme celebrates its 20th birthday, Mary-Alice Stack tells us how it has benefited artists, museums and the public
Q&A | ‘Peer support is so helpful, especially when you are a small organisation’
Hannah Little of the Clifton Suspension Bridge Trust on rebranding from visitor centre to museum after gaining Accreditation
Working life | ‘I think of museum galleries as real estate that curators don’t want to give up’
US-based artist Glenn Ligon talks about his new exhibition at Fitzwilliam Museum
