Opinion

Letters: January 2010

Disappointed to find discrimination in a museum… again I was curious what the Ashmolean experience would be like for casual visitors who are blind or deaf or who have a learning difficulty. There, I witnessed blatant exclusion as I did at the Darwin Centre (Museums Journal, December 2009, p18). There is no touch tour for …

Vox pop

Is the decision to move the National Football Museum from Preston to Manchester the right one?

Vox pop

What was the highlight of the last decade for museums and galleries?

Don’t ever be afraid to make a fuss – just make sure it’s a big fuss

In January 2009, a campaign began in the Stourbridge area of the west Midlands. An award-winning museum set in a Grade II-listed building, with a hot glass studio, was under threat of closure. Staff had been told that the museum would be closed by March 2010 and they would be deployed somewhere else in the …

The insider

The commercialisation of Christmas may have gone a bit too far...

Why museums and galleries should celebrate the lives of LGBT people

 

From where I’m standing

Diverse voices have got louder in the past ten years

Profile image for Ken Arnold

What lies at the heart of creative curatorial practice?

Are museums and galleries palaces of things, or resorts for people? When I was a museum studies student in Leicester in the 1990s, this was the almost endlessly debated question. A satisfactory, if unexciting, conclusion that we often reached held that the two were inseparable – people in museums could best be reached through things. …

Profile image for Sharon Heal

Editorial

A decade in the sun comes to an end

Letters: December 2009

Dark ages at the Darwin Centre For blind visitors, the sloping voyage down the egg-shell shaped Darwin Centre at the Natural History Museum is a descent into pervasive barriers. None of the dozens of flat touchscreens have been designed with blind people in mind. Nowhere are tactile models and verbal descriptions to be found. Neither …

The object is not enough

Sara Hilton says that objects are not the only way of telling stories in museums

Joint practices

The work of regional arts bodies needs to be better coordinated if they are to attract more funds, argues Marjorie Allthorpe-Guyton