“This is an emergency. All hands on deck,” is the introductory statement in the new permanent gallery titled Fixing Our Broken Planet, which is a must-see addition to the Natural History Museum, London.

The gallery is divided into four sections – The Food We Eat; The Stuff We Use; Our Health; and The Energy We Use.

These highlight our planetary emergency and clearly present why and how we as individuals and as a society can lead sustainable lifestyles in order to slow climate change and restore biodiversity.

Fixing Our Broken Planet opened to the public in early April. It is the first new permanent gallery at the museum since 2016 and I was inspired by its sustainable displays.

Using a cutting-edge design of black boxes, each fitted with bright spotlights, this exhibition presents more than 200 specimens from the museum’s collection.

Taxonomic animals include this bison in the energy zoneCopyright Trustees of the Natural History Museum

Throughout the gallery, visitors explore nature-based solutions to some of the biggest challenges facing our planet and are empowered to make a change.

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Each specimen has been carefully selected by scientists at the museum, whose words were featured alongside each display case, making it clear that the planetary emergency is backed by science.

Deep dive

As a youth ocean activist who is researching water, my favourite part of the exhibition was the display of deep-sea creatures, specimens so newly discovered that they are not yet named.

I was also enamoured with a display showing the earwax of a whale demonstrating the impact of humans on the sea by detailing the ocean pollutants found in it.

Carefully placed in the corners of this historic museum space are three short films playing on a loop. Each has its own focus – plastic pollution, eco-anxiety and biodiversity loss. And one coherent theme unites them all – youth activism.

Youth activists present ways we can address our planetary emergency through conversations with each other and scientists. I was pleasantly surprised to see youth climate activist Clover Hogan, founder of Force of Nature, featured in one of these films. I have come across this youth-led charity, which “transforms mindsets for climate action”, in my own youth ocean activism.

A museum display featuring a large mosquito image at the top, several orange vial-like objects in the center, and informational text panels below, all enclosed in a glass case.
Mosquitoes and pollinators in the health zoneCopyright Trustees of the Natural History Museum

The strong link between mental health and climate change was highlighted within one of these films, which nicely connects the four sections of the gallery space. In other words, people have climate-related anxiety towards everything that the four sections of the gallery interrogate – food, material objects, health and energy.

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It is worth mentioning that the sound of these three films was at a suitable volume and the closed captions made it easy to follow the conversations.

Positive messaging

There is a digital installation in a central point at the front of the gallery space with ample seating. The installation circulates images of environmentalists and young changemakers in their respective elements in a move to inspire us to be hopeful amid our climate crisis.

In the same space, there are also interactive touchscreens that prompt three questions. The first is a yes or no question: “Could you buy only second-hand clothes?”.

The second one is: “Who do you think should be responsible for protecting homes from wildfires?” This gets you thinking a little harder. You are given a choice of three answers: individuals, governments, or insurance companies.

Several glass jars filled with clear liquid and preserved biological specimens are displayed on a shelf next to a large, dark, rough-textured rock or fossil. The jars vary in size and are illuminated from above.
A range of deep-sea animal specimens in the material zoneCopyright Trustees of the Natural History Museum

The third question was more open-ended, asking: “How can we help you dig deeper into the planetary emergency?”.

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It gave a total of six possible answers: climate disinformation and how to identify trusted sources; climate justice; how climate change and colonialism are linked; how biodiversity loss and climate change are linked; things governments and companies are doing to tackle the climate crisis; and things we can do to address the climate emergency.

All three questions were thought-provoking, but I particularly enjoyed the third because there is still so much to learn, discuss and think about our planetary situation in order to fix it.

Scattered throughout the gallery space are also “What you can do” text panels. Some key messages include: use recipe apps to find new ways to cook leftover food; buy a refurbished phone the next time you upgrade; write to people in power and ask for action; and change the clothing industry through how you shop.

Meaningful action

I feel that these panels are a powerful addition to the exhibition, as each of them provides visitors with actionable lifestyle changes that go beyond the standard messages of recycling, thrifting, litter-picking, tree-planting and so on.

This is extremely important because actionable solutions are essential if together we are going to fix our broken planet.

Overall, the messaging is clear across the gallery space. In short, our planet needs to be fixed.

But what I found to be most inspiring about this exhibition is that the messaging is hopeful, as well as giving a firm warning, because it demonstrates how individuals and communities can make a difference by making lifestyle changes that can slow climate change and restore biodiversity.

A large, curved-horned bison skull and a smaller skull are displayed in a museum exhibit, with informational signs and a taxidermy bison in the background.
An auroch and cow skull in the food zoneCopyright Trustees of the Natural History Museum

As visitors enter and exit the museum through the grand Hintze Hall they can’t miss the 25-metre blue whale skeleton, named Hope, suspended above them.

When visitors look up, they marvel at her monstrous beauty and are filled with feelings of excitement, wonder and awe. I certainly felt that way when passing underneath.

Indeed, for me, located at the gateway to the museum’s collections and galleries, Hope represents the brighter future of generations to come.

These optimistic feelings of discovery and exploration are replicated throughout the new gallery – even as visitors are presented with the reality of the environmental impacts we face on our planet.

I highly recommend that anyone who is looking for more hopeful and inspired ways to address our planetary emergency should visit Fixing Our Broken Planet.

Annika E Mazzarella is a youth ocean activist undertaking a PhD in museum studies at the University of Leicester. She is also a member of the Museums Association’s Museums for Climate Justice steering group

Project data

Cost

Undisclosed

Main funders

Department for Culture, Media and Sport’s Public Bodies Infrastructure Fund; Natural Environment Research Council, part of UK Research and Innovation; Wellcome Trust; GSK; Ørsted

Principle contractor

The Hub

QS/CA

Fraser Randall

Exhibition design

In-house

Lighting design

DHA Lighting

Graphic design

Hato

Interactive development

New Angle

Films

Voice for Nature; Nick Street; Bucy McDonald

Showcases

Florea

Admission

Free