Features

Trading Places

Museums have been working hard with their counterparts overseas to give an international dimension to this year's anniversary of Britain's abolition of the transatlantic slave trade. Patrick Steel reports

Capital spend

Projects such as the Ulster Museum and the Titanic Experience are helping to transform Northern Ireland's capital. Simon Stephens visits Belfast to find out more

Live and kicking

Maria Balshaw, the director of the Whitworth Art Gallery, is overseeing plans for a £12m extension and experimenting with daring ways of attracting more visitors with the use of performance art. She talks to Simon Stephens.

The Museum of…Our pick of the UK’s specialist collections: December 2008

Nene Valley Railway prides itself on a vast collection of engines as well as its very own Thomas, writes Louise Gray

Evolutionary fervour

It will be difficult to escape Darwin this year as museums, galleries and others celebrate a double anniversary, says Simon Stephens

Family values

Simon Stephens hears why Rhian Harris wants to make the Museum of Childhood a place for adults as well as kids.

Facing forwards

When the directorship of the Dulwich Picture Gallery came up, it took Ian Dejardin all of 20 minutes to make his choice. By Simon Stephens.

Nation building

The Scottish National Portrait Gallery is about to undergo a major facelift led by its director, James Holloway. Simon Stephens hears about his plans.

Due south

As works starts on an extension to the South London Gallery, its director, Margot Heller, tells Simon Stephens why independence made it all possible

Identity crisis

Identity is central to the work of museums, but it's also a complex subject that is difficult to keep pace with. By Simon Stephens

This is today

Iwona Blazwick tells Simon Stephens how the expanded Whitechapel Gallery is building on its illustrious past.

Rich seams

On the 25th anniversary of the miners' strike, Ceri Thompson, the curator of the Big Pit, has been looking back at an event that changed his life forever. By Simon Stephens