Opinion
An institution that works on visitors’ terms
I write this article in Venice – the city where the Victorian critic John Ruskin charted the rise and fall of worthwhile art and, for many, the epicentre of the international art machine for a few days in early May. The Venice Biennale unveils itself to the art glitterati and art vermin of the planet, …
Embracing the energy of activism
Gallery educators have always had a close allegiance with radical practice
