Rob Sharp

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Rob Sharp

freelance journalist

Is industrial heritage heading down the wrong track?

If museums can’t find a way to arrest falling visitor numbers, some important sites could be lost for ever. By Rob Sharp

Preserving the heritage of the Russia-Ukraine war

Museums’ efforts to collect artefacts and document testimonies about the Russian invasion are being hampered by a lack of funding to repair damaged facilities

How to welcome everyone

While many museums still struggle to create inclusive exhibitions for disabled visitors, Rob Sharp has found some innovative examples of best practice

Let’s hear it for oral history

Rob Perks celebrates the pioneering work in oral history that has transformed the way museums engage with audiences

The rise of the remote volunteer

Lockdown has transformed how we think about volunteering, and this has long-term implications for museums

Creating a diverse volunteer workforce

Practical advice on removing the barriers to volunteering

Troubled history

Cultural institutions across the world are finding different ways of tackling the difficult and emotional subject of slavery

A life not so ordinary

A number of new museums are moving away from traditional ways of collecting and are working at a grassroots level to tell the stories of marginalised communities, as Rob Sharp discovers 

Funding cuts bring Northern Ireland’s sector ‘to its knees’

Arts council’s survey reveals that reduced funding and higher costs are hindering programming and outreach activities. By Rob Sharp

Artes Mundi seeking director and curator

Visual arts organisation advertises for someone with track record in leadership to succeed Karen Mackinnon. Rob Sharp reports

Anxiety deepens over risk of no-deal Brexit

Cultural institutions express concerns over funding, staffing and the impact on the communities they serve. Rob Sharp reports

Five institutions join forces to support Cairo museum

The British Museum is one of five organisations taking part in EU-funded project looking at new approaches to interpretation, display and marketing. By Caroline Parry