Features

Increased exposure

Patrick Henry tells Simon Stephens about the Open Eye's journey from grassroots arts organisation to high-profile photography gallery

On top of the world

Being part of a World Heritage Site can help museums attract visitors and form new partnerships, writes Deborah Mulhearn

The museum of… Our pick of the UK’s specialist collections

Uniforms and musical instruments are among the objects on show at a heritage centre dedicated to the Salvation Army. By Louise Gray

Best in show

Jeremy Theophilus, co-director of the British Ceramics Biennial

Getting creative

Many museums and galleries are forging partnerships with the creative industries. Geraldine Kendall finds out why

Moving stories

As visitors flock to the recently opened Riverside Museum in Glasgow, Simon Stephens finds out about the challenges of interpreting and displaying transport collections

Prize draw

As the Baltic prepares to welcome visitors to this year's Turner Prize exhibition, Simon Stephens visits Gateshead to meet its director, Godfrey Worsdale

The Museum of…Our pick of the UK’s specialist collections

Geraldine Kendall finds out what makes visitors to the Manchester Masonic Museum marvel

Show business: Museums Journal roundtable discussion, full transcript

The Museum Journal's expert panel discusses the financial and environmental sustainability of temporary exhibitions...

The Museum of… Our pick of the UK’s specialist collections

Louise Gray hears what links London, Stratford-upon-Avon and Washington, DC, to Craven Museum and Art Gallery

Reading matters

There is a great public interest in literature, but museums need to find novel approaches to making writers and their work come alive for visitors. By Deborah Mulhearn

Northern spirit

Iain Watson grew up in the north east and is now in charge of 12 museums across Tyne & Wear. Simon Stephens meets him