Features

The dark side

Museums around the world are increasingly shining a light on the uncomfortable events and histories that have so far remained untold, says Deborah Mulhearn

Tackling colonial legacies

Museums are facing up to their problematic pasts and starting the slow process of decolonising their collections and operations, says Geraldine Kendall Adams

Best in show

Dub Stamp (detail), 2018, by Amy Sillman, Camden Arts Centre, London

Museum of… The Abingdon Collection, Omagh

Rob Picheta marvels at one man’s collecting passion in a venue filled with classic cars and military objects

Best in show

Final Examination Area, 1957, by Feliks Topolski, Bank of England Museum, London

Winds of change

Paul Reid, the director of the Black Cultural Archives in Brixton, talks to Eleanor Mills about activism, history and how to make change happen

International opening: 14 Henrietta Street, Dublin

The changing fortunes of this building, from wealthy family home to tenement, have been vividly brought to life, says Geraldine Kendall Adams

Museum of… Garioch Heritage Centre, Aberdeenshire

The history of rural Aberdeenshire and its people is brought alive by this site, says Geraldine Kendall Adams

Trendswatch: Walking tours

Visitors can step into history as venues increasingly offer walks to broaden engagement, says Deborah Mulhearn

Captive audiences

Former prisons are proving to be a rich source of material for museums to tell stories of crime, punishment and justice, says Deborah Mulhearn

Free radicals

Rob Sharp finds museums across the country are doing their bit to promote the acts of radicalism and protest that have influenced local and national politics

Best in show

The Dustman or The Lovers, 1934, by Stanley Spencer